Prelude Picnic of the 100th Annual May Festival at Nickels Arcade, May 1993 Photographer: Colleen Fitzgerald
Year:
1993
Published In:
Ann Arbor News, May 7, 1993
Caption:
Mayfest - Violinist Alison Hoogersef plays Bach at the Prelude Picnic of the 100th Annual May Festival. The party was held Thursday in Nickels Arcade. Volunteer Raymond Tanter greets Ann Schriber.
Ann Arbor News, May 7, 1993
Caption:
Mayfest - Violinist Alison Hoogersef plays Bach at the Prelude Picnic of the 100th Annual May Festival. The party was held Thursday in Nickels Arcade. Volunteer Raymond Tanter greets Ann Schriber.
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A Celebration That Was Worth Waiting 150 Years For...
Parent Issue
Day
29
Month
December
Year
1974
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Fund-Raising Campaign Will Restore Voice Of Historic Ann Arbor Instrument
Parent Issue
Day
24
Month
September
Year
1997
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Music Alumni Award Medal At Luncheon
Parent Issue
Day
9
Month
May
Year
1942
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Ann Arbor Yesterdays ~ Memories Of May Festivals Past
Parent Issue
Day
2
Month
May
Year
1960
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Ann Arbor Yesterdays ~ Home Grown Music and the Kempfs
Parent Issue
Day
1
Month
May
Year
1961
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Ann Arbor Yesterdays ~ Celebrated Visitors
Parent Issue
Day
5
Month
June
Year
1961
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Record 'saleswoman to the stars' heads west
Parent Issue
Day
4
Month
September
Year
1994
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Ljuba Velich, May Festival Rehearsal, May 1950 Photographer: Eck Stanger
Year:
1950
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Ljuba Velich with Eugene Ormandy, May Festival Rehearsal, May 1950 Photographer: Eck Stanger
Year:
1950
Published In:
Ann Arbor News, May 5, 1950
Caption:
SOLOIST, ORMANDY CONFER AT REHEARSAL: Concertmaster Alexander Hillsberg (left) listened intently as Miss Welitch and conductor Ormandy discussed the interpretation of a phrase during the rehearsal of the closing scene from "Salome." The soloist had only one hour to rehearse with the orchestra the two arias she sang last night. They worked steadily, pausing only when Ormandy corrected his musicians or called for the repetition of a phrase. They spoke sometimes in English, sometimes in German. Once, explaining something to the conductor, Miss Welitch used English, German, and French in the same sentence. If she made a mistake, she would turn impetuously and beg forgiveness of first Ormandy and then the orchestra. After the violin section finally repeated a phrase to Ormandy's satisfaction, she smiled sympathetically and called "Bravo!" softly. The "Bravo's" were loud and clear though when she finished her rehearsal of the "Salome" aria, for the orchestra joined the Choral Union members (sitting quietly in the back of the auditorium) in applause. The applause was repeated last night in greater volume.
Ann Arbor News, May 5, 1950
Caption:
SOLOIST, ORMANDY CONFER AT REHEARSAL: Concertmaster Alexander Hillsberg (left) listened intently as Miss Welitch and conductor Ormandy discussed the interpretation of a phrase during the rehearsal of the closing scene from "Salome." The soloist had only one hour to rehearse with the orchestra the two arias she sang last night. They worked steadily, pausing only when Ormandy corrected his musicians or called for the repetition of a phrase. They spoke sometimes in English, sometimes in German. Once, explaining something to the conductor, Miss Welitch used English, German, and French in the same sentence. If she made a mistake, she would turn impetuously and beg forgiveness of first Ormandy and then the orchestra. After the violin section finally repeated a phrase to Ormandy's satisfaction, she smiled sympathetically and called "Bravo!" softly. The "Bravo's" were loud and clear though when she finished her rehearsal of the "Salome" aria, for the orchestra joined the Choral Union members (sitting quietly in the back of the auditorium) in applause. The applause was repeated last night in greater volume.
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